Outlines einer Theorie der ästhetischen Praxis

1 Interest in seeing people onstage vs actors onstage

2 to allow real personalities to have an impact on an audience

3 put the dialogue on tape and play the tape in the performance

4 let the actors repeat what they hear from the tape

5 weitere Anweisungen Richard Foremans:

– 1 be hostile toward the audience. Don’t make them love you.

– 2 lower your centre of gravity slightly, always be ready to defend yourself. Remember that no matter what gesture you perform, it might open you to an irrational and sudden attack. You might be attacked for being a fool, or being vulnerable, or excessivly smart.

– 3 …. Unbalancing acts, p42


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